Luigi: The Story Behind the Story by John H Richardson – Understanding a Criminal?

On the fifth of December 2024, a major newspaper ran the headline “Insurance CEO Gunned Down In Manhattan”. The report then noted that Brian Thompson was “fatally wounded from behind in Midtown Manhattan by a killer who then walked coolly away”. The daytime killing was truly cold and shocking. But many Americans reacted differently: for those who faced insurance rejections or struggled with medical bills, the news felt cathartic. Online platforms erupted. One comment read: “All jokes aside … no one here is the judge of who should live or perish. That’s the job of the AI algorithm the insurance company designed to maximize profits on your health.”

Less than a week after, Luigi Mangione, a good-looking, 26-year-old University of Pennsylvania alumnus with a master’s in computer science, was apprehended at a fast-food restaurant in Altoona, Pennsylvania. He awaits trial on federal and state charges of murder, with prosecutors seeking the capital punishment. So what is his background? And what might have motivated the alleged crime? These are the questions John H Richardson seeks to resolve in an inquiry that delves into wider topics, too.

Understanding the Person

A journalist for Esquire magazine, Richardson spent years researching the communities that lurk in the dark corners of the internet, writing stories about people “plagued by genuine concerns about an end-times scenario”. To reveal “the making” of his subject, Richardson first reviews Mangione’s extensive reading. We learn that “[when] he was arrested, Luigi had a list of 295 books on a reading platform”. Their subject matter covered climate change to masculinity, along with a “emphasis on his own self-improvement, both body and mind”. Additionally, Richardson sifts through his correspondence with online personalities and authors as well as his many updates on digital networks. These original materials, meant to paint a portrait of Mangione, instead render him an unclear character. Richardson tries to justify this by suggesting that “Luigi’s elusiveness, in fact, is what gives him a little of that old trickster magic”. Here, as elsewhere, Richardson attempts to cast his subject in archetypal terms.

Mangione is profoundly worried about the world around him, one where ‘everything is accelerating whether we like it or not’

Interpreting the Incident

As for “the meaning” of the title, Richardson uses as a clue three words – “delay”, “refuse” and “depose”, engraved on the bullets left behind at the crime scene. These are the terms sometimes used by health insurance companies to reject claims. He looks at the indication Mangione had a long-term spinal issue, which might have provided motive for an attack, but finds no proof; instead, what meaning there is seems to rest in Mangione’s philosophical dread about the world around him, one where “everything is accelerating whether we like it or not, sliding faster and faster to the edge”; a world where the general belief seems to be that AI is going to ultimately either dominate, or eliminate humanity, or both.

Gaps in the Narrative

Conspicuous by their absence from the book are interviews with the principal actors. Richardson made requests, but never expected time with Mangione himself. And his relatives stated explicitly that they had decided against speaking to the media in prior to the trial. Another flashing-yellow omission is any detailed data about the deceased, Thompson, though we learn that under his leadership, from 2021 to 2023, company earnings increased by 33%.

Ambiguous Findings

By book’s end, the audience has little insight of Mangione’s personality or what might have motivated his alleged crimes. More troubling, Richardson’s obvious sympathy for him creates the disturbing feeling of having been privy to a veiled endorsement of an assassination. In the book’s closing remarks, Richardson presents his fairytale assessment: “We’ve entered a era of stories, the mad king, the beast in the labyrinth and the emperor without clothes.” In that tale “outlaw heroes come with a beautiful promise … They arrive in periods of unrest, when the people are suffering and nothing makes sense anymore.”

One thing is clear: as Mangione’s defence team continues in its attempts have accusations that could lead to the death penalty thrown out, any mention of myths, Robin Hoods, champions or monsters will not be allowed in court in support for this handsome young man with a “jawline … and lips … out of a Caravaggio painting” facing judgment for murder.

Teresa Stone
Teresa Stone

Lena ist eine erfahrene Journalistin mit Schwerpunkt auf politischen und gesellschaftlichen Themen in Deutschland.